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Wandrei Donald

Don't Dream: The Collected Horror and Fantasy Fiction of Donald Wandrei

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An important collection
Yes, Donald Wandrei was a member of the notorious "Lovecraft Circle", but herein you will find no Great Cthulus, slime dripping Byakhees, or worm-eaten copies of De Vermiis Mysteriis, for this collection consists largely of sci-fi stories that rely heavily upon pseudo-science, physical revulsion, and violence for their effect, hence most could be called "horror" stories. There are few tales of the genuine supernatural here, "The Chuckler", "The Lady in Gray", "Don't Dream", and the "Painted Mirror" being the only stories in this thick compendium with authentic occult overtones. Indeed, although Wandrei admired Lovecraft, he doesn't seem to have been influenced much by him in terms of style or device; Wandrei clearly owes much to writers like H.G. Wells, H. Rider Haggard, and Edgar Rice Burroughs for his sci-fi yarns, and his language is surprisingly contemporary. Nearly all of Wandrei's "fantasy fiction" consists of his dream stories and prose poems, all of which are markedly different in feel from his sci-fi efforts. They are true ravings from a fevered mind and smack of the genuine, illogical stuff of nightmare...little if any plot, but striking and atmospheric images and sensations with an ever present feeling of dread in the backdrop. Wandrei captures the feeling of a dream much better than Dunsany or Lovecraft, but his forays into the Dreamlands are brief excursions, not well-plotted epics in the tradtion of the other two authors.

Highlights of this collection include the action-adventure/murder mystery/sci-fi tale "Giant-Plasm" (the give away title being the only drawback), the genuinely creepy "Treemen of M'Bwa", the disorienting man-to-animal soul transference of "The Witch Makers", the graphic and ultraviolent yarns "The Monster From Nowhere" (a metallic alien rips peoples heads off) and "The Destroying Horde" (flesh absorbing ancestors of the "The Blob" terrorize St.Paul), the awesome little tale "The Eye and the Finger", and the gruesome, Stephen King-esque "It Will Grow on You". A few of the stories simply do not work (these include the dreadfully hokey "A Scientist Divides" and the corny "When The Fire Creatures Came"), but thankfully these duds are the exception. On a similar note, much of Wandrei's earlier "prose poetry" is too brief and undeveloped to be very enjoyable...it only tantalizes you with a taste of a fuller nightmare vision that never seems to materialize, while Wandrei attempts to see just how freaky he can get with words reminds one of Clark Ashton Smith (who DW also, not at all surprisingly, greatly admired).

All fans of 30s pulp fiction should own this book, it is a rare gem: a compilation of classic, ground-breaking sci-fi stories. Sure, there are some stinkers in the list, but the good stories predominate, for Wandrei was a writer of startling originality. But Lovecraft junkies beware...if you buy this book anticipating more uninspired Cthulhu Mythos stories (ala August Derleth), you'll be disappointed, for the only two stories that resemble anything written by Lovecraft are "The Shadow of a Nightmare" (nine pages) and "The Chuckler in the Tomb" (a cop tracks down a grave robber who turns out to be something other than human...four pages).


Classic Pulp Horror & Fantasy
Donald Wandrei thought of himself as primarily a poet and used poetic language to excellent effect. As demonstrated in this thick collection, he could also open up with blazing machine guns and giant amoebic monstrosities. DON'T DREAM collects all of his short fiction that can be considered as horror or fantasy together with a series of prose poems, a youthful essay on horror in literature, and a engrossing essay by the editior on the prolonged litigation for the control of Arkham House, Publishers after the death of Wandrei's partner August Derleth. Excellent art by Rodger Gerberding highlights the stories. Highly recommended.
AN INTERESTING BOOK
Here we have a book and an author that have positive and negative points. Donald Wandrei, of Arkham House fame was not a very good writer. His two best works, in my opinion, were "THE WEB OF EASTER ISLAND" and "THE BLINDING SHADOWS". But for the most part, he was almost a hack-writer, putting forth a production not always very exceptional. This book is quite an example of that. An anthology comprised of mostly low-grade stories. We wouldn't give it 3 stars but for the fact that Wandrei was an important figure in Lovecraftiana and in the growth of Arkham House and every Lovecraft Addict should know about him. Also, Fedogan & Bremer always do an excellent work on their products and this is definitely the case. All in all, if you have spare money, by all means, buy it!You won't be dissapointed.
Selected Letters: 1929-1931. Edited by August Derleth and Donald Wandrei

Arkham House Publishers

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Colossus: The Collected Science Fiction of Donald Wandrei

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Science Fiction Without Boundaries
Arkham House co-founder, friend and correspondent of H.P. Lovecraft, and a highly respected writer for the pulps in the late 20s and 30s - Donald Wandrei was considered a poet and visionary by HPL and Clark Ashton Smith. His stories of alien intrusions and universe shaking cataclysms are somewhat dated to those who are only used to the psychologically driven fiction of more modern years. His unique visions were considered groundbreaking when first published and are still highly entertaining decades later. This is first of all an enjoyable read as well as a fascinating look at the beginning of modern science fiction.
Uneven book, uneven writer...
This volume, and a companion volume, DON'T DREAM, collect all the science fiction and weird fiction of Donald Wandrei, generally remembered today mainly as co-founder of Arkham House and walking companion of H. P. Lovecraft.

Somehow I missed the first edition of COLOSSUS. This 2nd edition has two extra, previously unpublished stories and some interesting photos.

First the bad news: I don't know what kind of poet Wandrei was, but as a writer and plotter of prose fiction, he had some severe limitations. Almost all of his sf was published between 1930 and 1936, and it is archaic even by the standards of that day. He has three basic story ideas, which he uses over and over: (1) something from outer space plays havoc with human society. (2) Uncontrolled scientific curiosity plays havoc with humanity and the earth itself. (3) A lovers' triangle becomes displaced in time, space or both.

His best known story, "Colossus," is an example of type (3). It is also Wandrei's worst written story, in fact one of the worst written sf stories I have ever read, and I speak as a reader of "The Blind Spot," by Austin Hall and Homer Eon Flint. Typical sentence: "His accumulated hopes, tragedy and undertaking of the day were above rational analysis." Do what?

There are no real neglected gems in this collection; in fact, I had to force myself ot keep reading. Wandrei seems at his best when he can throw plot, characterization and dialogue (none of which he can handle) to the winds, and spin wild prose poems describing the breakdown of "space, time, matter, energy and consciousness." This makes "Finality Unlimited" (he wasn't much for titles either), "A Trip to Infinity," and the previously unpublished "If---" the best stories in the book.

Wandrei ceased writing sf just before the dawn of the Golden Age of Science Fiction in 1939. He tried to make a few sales to John W. Campbell's ASTOUNDING, but his archaic output had no hope of publication in a magazine newly emphasizing realism in science and characterization.

Here is a very minor talent. He shouldn't be forgotten, but don't go into this volume expecting something wonderful. If Wandrei is remembered only as a publisher and friend of Lovecraft, maybe that is only justice, and his just due.


Sanctity and Sin: The Collected Poems And Prose Poems Of Donald Wandrei

Hippocampus Press

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A Concordance to the Poetry of Donald Wandrei

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A DONALD WANDREI MISCELLANY

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Wandrei Donald News




Robert Prozzo, Jr - Antiques and Arts Weekly
Robert Prozzo, JrA Further Range, Frost 1st; For Whom the Bell Tolls Hemingway 1940; On the Waterfront, Schulberg, 1955 1st w/DJ; Incidents in my Life, DD Home, 1874; The Eye & The Finger, Wandrei Arkham House 1944, w/DJ; Duke. Ellson, 1949; Walk on the Wild Side,

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Donald Wandrei - Wikipedia, the free encyclopedia
Donald Wandrei: An Inventory of His Papers at the Minnesota Historical Society. Donald Wandrei at the Internet Speculative Fiction Database. Don Herron. ...

Dark Odyssey. - Wandrei, Donald.
8vo, 47 pp. SIGNED LTD. ED. #150 of 400. Near Fine copy in Near Fine dj. One sm. tear at top of dj's spine. 5 illus by Howard Wandrei. 1931. St. Paul: Webb,

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L W Currey, Inc | ECSTASY AND OTHER POEMS, Wandrei, Donald
ECSTASY AND OTHER POEMS, Wandrei, Donald Athol, Mass Published by W Paul Cook The Recluse Press, 1928 First edition Limited to 322 copies Presentation copy with ...